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The Joan Crawford Collection, Vol. 2 (A Woman's Face / Flamingo Road / Sadie McKee / Strange Cargo / Torch Song)

Actors: Joan Crawford, Melvyn Douglas, Zachary Scott, Clark Gable, Michael Wilding
ASIN : B000XNZ7NO
Sales Rank : 17452
Director : Charles Walters, Clarence Brown, David Miller, Frank Borzage, Friz Freleng
Brand : Warner Brothers
Studio : Warner Home Video
Region Code : 1
Format : Box set, Black & White, DVD-Video, Restored, Widescreen, NTSC
Binding : DVD
EAN : 0012569647459
UPC : 012569647459
Release Date : December 12, 2008
Publisher : Warner Home Video
Manufacturer : Warner Home Video
Availability : Usually ships in 24 hours
Label : Warner Home Video
Running Time : 495

Description

TORCH SONG (1953): Musical comedy legend Jenny Stewart, who has been hardened by the worst life has to offer, finds romance when blinded war- veteran Tye Graham becomes her new piano accompanist. STRANGE CARGO (1940): When eight prisoners escape from a New Guinea penal colony, they are picked up by another escapee named Verne and his girl friend Julie. Among the fugitives is Cambreau, a soft-spoken, messianic character who has a profound effect on his comrades. SADIE MCKEE (1934): As working girl Sadie McKee, Joan Crawford wears a maid’s uniform. And as any Crawford fan knows, she’ll shortly swap her white apron for black sable – even (or especially) if it means heartbreak along the way. In this rags-to-riches tale, Sadie wins the affections of the singer (Gene Raymond) she loves, the tycoon (Edward Arnold) she marries and the lawyer (Franchot Tone) she grew up with. That’s a lot of on-screen romantic fire, not all of it may be due to acting ability alone: The year after Sadie McKee was filmed, Crawford became Mrs. Franchot Tone. FLAMINGO ROAD (1949): Life in a small Southern town heats up when a sexy, savvy dancer is stranded there by a traveling carnival. She wins the hearts of two men and gets a taste of local politics when she butts heads with a corrupt sheriff. Apparently Crawford only accepted the role after Jack Warner ordered rewrites and spruced up the production. A WOMAN'S FACE (1941): Anna Holm is scheming con woman and blackmailer, a bitter woman shut off from society because of a disfiguring scar. The opportunity to undergo an operation to remove her scars presents her with a choice: open herself up to a whole new life or return to her old ways and the only life she's ever known.

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Those looking for heavy doses of melodrama, good old-fashioned storytelling, and--of course--more Joan, look no further. The Joan Crawford Collection, Vol. 2 offers up a fine assortment of some of Crawford's popular second-tier titles that helped secure this unstoppable actress’ well-deserved seat in the court of Hollywood royalty. Spanning from 1934 to 1954, the five films take viewers on a journey over peaks and valleys of Miss Crawford’s tumultuous but often spectacular career and permits a glimpse into the star’s adeptness to the changing times of movie making. The first film, 1934’s Sadie McKee, captures a radiant Crawford, still riding high as the queen of MGM, playing the eponymous poor cook’s daughter who struggles to keep her principles intact through her rocky romances and unexpected rise to riches. Nobody plays an unlikely do-gooder like Crawford, and this splendidly entertaining film is one of her finest. 1940’s Strange Cargo features Crawford as a dive-bar singer and frequent co-star Clark Gable as a gritty prison escapee joining forces to flee a remote island. A religious parable, jungle adventure, and prison escape movie in one, Strange Cargo maintains suspense and action surprisingly well. A Woman Face (1941) is beautifully directed by one of cinema’s best, George Cukor, who provides Crawford with one of her most accomplished dramatic roles: Anna Holm, a woman whose face is horribly disfigured as a child. Anna’s physical appearance drastically alters her destiny, and becoming full of spite and bitterness, she turns to a life of crime. When the opportunity to correct her scars presents itself, the story takes a sharp turn into suspense-thriller and courtroom drama territory, eventually making its way to a totally improbable and predictable but equally exciting finale. Flamingo Road (1949), which went on to become a nighttime television soap opera in the ‘80s, sees Crawford as Lane, a hardened carnival dancer who finds herself stranded in a small town facing crooked men and parochial hypocrisy. Lane’s a tough cookie and unsurprisingly manages to cross the bridge from rags to riches while triumphing over her foes in a delicious reversal of fortune. The story may be hackneyed, but Crawford’s histrionics provide a juicy good time. This was her first foray into playing roles that are clearly too young for her, yet her portrayal is so earnest one simply doesn’t dare question the rather enormous leap in realism. Like pieced-together leftovers from much finer musicals, 1953’s Torch Song is the weakest movie of the bunch but still worth a gander. Here, Crawford plays an embittered and aging musical stage star whose unlikely romance with a blind pianist might turn around her lifetime of heartache. The film probably isn’t one of her career highlights but offers up some surprisingly poignant, all-too-real moments.

Joan Crawford Collection, Vol. 2 comes with an abundance of extras including several interesting featurettes covering her career at Warner Brothers and her work with Clark Gable as well as several entertaining old-fashioned cartoons. There’s also some amusing Torch Song outtakes of Crawford aspiring to sing. (Once you’ve heard them you may understand why her voice was dubbed.) Many of Crawford's characters have been described as being only slight manipulations of the real Joan; a tough woman looking for a little respect and trying to make it in a man’s world. This collection should help vindicate her efforts. -- Matt Wold

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The Errol Flynn Signature Collection, Vol. 2 (The Charge of the Light Brigade / Gentleman Jim / The Adventures of Don Juan / The Dawn Patrol / Dive Bomber)

Actors: Errol Flynn, Olivia de Havilland, Viveca Lindfors, Robert Douglas, Fred MacMurray
ASIN : B000M2E31I
Sales Rank : 10984
Director : B. Reeves Eason, Bobby Connolly, Del Frazier, Edmund Goulding, Friz Freleng
Brand : Warner Brothers
Studio : Warner Home Video
Region Code : 1
Format : Box set, Black & White, Closed-captioned, Color, Full Screen, NTSC
Binding : DVD
EAN : 0012569796270
UPC : 012569796270
Release Date : December 27, 2007
Publisher : Warner Home Video
Manufacturer : Warner Home Video
Availability : Usually ships in 24 hours
Label : Warner Home Video

Studio description

Includes The Charge of the Light Brigade (1936), Gentleman Jim (1942), The Adventures of Don Juan (1948), The Dawn Patrol (1938), and Dive Bomber (1941).

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The best-known of Errol Flynn's movies are already out there on DVD, so surely there can't be much left over to keep the second volume of the Errol Flynn Signature Collection from being an anticlimax. Except it's not. The new boxed set includes a splendid historical adventure, two aviation movies impressive in different ways, and a late swashbuckler that operates as a droll gloss on the star's persona. Plus (wait for it...) it also contains the best movie Errol Flynn ever made, and very likely his best performance as well.

Let's take that last one first. Raoul Walsh's Gentleman Jim (1942) is a great, boisterous gift box of a movie, a high-spirited biopic of late-19th-century prizefighter James J. Corbett. The setting is San Francisco in the Gay '90s, with Flynn/Corbett starting out as a brash, egotistical bank teller fast with his mouth and light on his feet. Given a chance to crash high society, he becomes a pugilist for the amusement of the nabobs, then sets out on a boxing career that will bring him glove-to-glove with the Great John L. ... Sullivan, that is, and portrayed with Walshian gusto by Ward Bond. Gentleman Jim is fragrant with period atmosphere, exhilarating in its feeling for space and back-slapping human contact, and so big-hearted and exuberant that it finally invites the audience right into the film. Alexis Smith--as a socialite who ribs Corbett mercilessly--and Flynn conduct a strikingly egalitarian mating duel. The supporting cast includes Jack Carson, Alan Hale, and the epically grumpy William Frawley, and the whirlwind montages are by future director Don Siegel. This is great fun--and a masterpiece to boot.

The adventure movie is The Charge of the Light Brigade (1936), Flynn's second star vehicle in Hollywood. A step up in scale and gloss from Captain Blood, this Michael Curtiz picture is historical poppycock but thrilling spectacle, with exotic doings in India and Asia Minor building to the horrendous siege of Chukoti, then a lateral move to the Crimea for the big Tennyson finish every perennial schoolboy in the audience has been waiting for. The Flynn of this swashbuckler-one-step-removed isn't the buoyant and boyish fellow we expect; he even comes in second to fellow Bengal Lancer (and dull brother) Patric Knowles for the heart of Olivia De Havilland. But he wears nobility well, and there's genuine tenderness in his performance. The camerawork and editing of the Charge will lift your heart rate, and the large supporting cast includes Donald Crisp, Nigel Bruce, Spring Byington, C. Henry Gordon, and Flynn pal David Niven.

Niven and Flynn are together again in The Dawn Patrol (1938), a memorable WWI tale of British airmen flying perilous missions in flimsy planes, and the flight commanders who have to send them out to do it. Basil Rathbone (in a rare departure from villainy in a Flynn movie) plays the tortured commandant whom hotshot Flynn will be obliged to succeed. Although this is the Dawn Patrol most people know, it's actually the remake of a 1930 Howard Hawks classic. The original has a starker feel (inseparable from its early-talkie creakiness), as if its airbase were at the edge of the known world. The more up-to-date Flynn version, directed by Edmund Goulding, is smoother entertainment, with a stronger supporting cast--but all the flying footage is from Hawks's movie.

The other aviation drama is Dive Bomber (1941), a big hit just before America's entry into WWII. Flynn plays it more sober than usual (no pun intended) as a Navy flight surgeon helping to lick the challenge of high-altitude sickness. There's no good reason for the movie to last 132 minutes, and both the macho griping of aviator Fred MacMurray and the garish treatment of the peripheral females (including Alexis Smith in her first featured role) get tiresome. But these are worth enduring for the breathtaking flight scenes in vivid Technicolor--which looks every bit as great as it must have in 1941. Director Michael Curtiz, in what would be his last film with Flynn, even sets up the ground scenes to include low-altitude flyovers.

The Adventures of Don Juan (1948), made near the end of Flynn's Warner years, is a footnote to the star's swashbuckling legacy and a not-very-inside joke on his reputation as real-life Don Juan; the picture is at least as interested in eliciting chuckles as serving up thrills. Director Vincent Sherman lacked the brio of Curtiz and the gusto of Walsh, but he ably steers the actor past self-parody to a reasonably graceful performance. Again, the real excitement is the ultra-radiant Technicolor--a perhaps inadvertent result of veteran film noir cameraman Woody Bredell lighting the movie as though he were still working that black-and-white territory. Viveca Lindfors supplies urbane love interest as the Queen of Spain, and Robert Douglas stands in for Basil Rathbone as villain-in-chief.

Consistent with previous Warner practice, all but one of the features in Volume 2 come packaged with a "Warner Night at the Movies" set of shorts: cartoons, comedy shorts, trailers for contemporaneous WB movies, and sometimes newsreels. The disc of Gentleman Jim also includes an audio-only bonus, a radio reenactment featuring Flynn and costars Alexis Smith and Ward Bond. Probably because of its two-hour-plus running time, Dive Bomber is accompanied only by its trailer and a brief documentary, in which historian Rudy Behlmer shares a choice anecdote about Mike Curtiz attempting to direct airplanes. Unfortunately, of Flynn and his various directors, only Vincent Sherman was still available to do a commentary track (on Adventures of Don Juan, which also includes Behlmer commentary); Sherman passed away in 2006 at the age of 99. --Richard T. Jameson

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The Misfits

Actors: James Barton, Peggy Barton, Rex Bell, Ryall Bowker, Montgomery Clift
ASIN : B00005AUKC
Sales Rank : 5962
Studio : MGM (Video & DVD)
Region Code : 1
Format : Black & White, Closed-captioned, DVD-Video, Letterboxed, Subtitled, Widescreen, NTSC
Binding : DVD
EAN : 9780792850137
ISBN : 0792850130
UPC : 027616862938
Release Date : December 19, 2001
Publisher : MGM (Video & DVD)
Manufacturer : MGM (Video & DVD)
Availability : Usually ships in 24 hours
Label : MGM (Video & DVD)
Running Time : 124

Description

Expertly directed by John Huston (The Maltese Falcon) from a screenplay by Pulitzer Prize winner Arthur Miller, The Misfits is a probing, exciting drama (The Film Daily) of honesty, intensity and sheer poetic brilliance. Divorced and disillusioned, Roslyn Tabor (Marilyn Monroe) befriends a group of misfits, including an aging cowboy (Clark Gable), a heartbroken mechanic (Eli Wallach) and a worn-out rodeo rider (Montgomery Clift). Through their live-for-the-moment lifestyle, Roslyn experiences her first taste of freedom, exhilaration and passion. But when her innocent idealism clashes with their hard-edged practicality, Roslyn must risk losing their friendship...and the only true love she's ever known.

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It was the last roundup for Clark Gable and Marilyn Monroe, who gave their final performances in this melancholy modern Western. Arthur Miller wrote the script (some say overwrote) as a contemplation of his then-wife, Monroe, and set the piece in the half-world of Reno, Nevada. The dangers of this kind of meta-fictional approach are not entirely avoided, but the clean, clear-eyed direction of John Huston keeps the film grounded. And then there are the people: Gable a warrior past his time, Monroe overwhelmed by the world and its attentions, Montgomery Clift visibly broken in pieces, Eli Wallach a postwar neurotic. If the encroaching mortality of Gable, Monroe, and Clift weren't enough, the stark photography and Alex North's score confirm this as a film about loss. It may have its problems, but seen at a distance of many years, The Misfits scatters its tender mercies with an aching beauty. --Robert Horton

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The Carry On Collection

Actors: Sid James, Charles Hawtrey
ASIN : B00006JDRW
Sales Rank : 19908
Studio : Starz / Anchor Bay
Region Code : 1
Format : Box set, Color, DVD-Video, Widescreen, NTSC
Binding : DVD
EAN : 0013131188493
UPC : 013131188493
Release Date : December 22, 2002
Publisher : Starz / Anchor Bay
Manufacturer : Starz / Anchor Bay
Availability : Usually ships in 2 to 3 weeks
Label : Starz / Anchor Bay
Running Time : 1170

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There's a lovely irony about the way in which the Carry On films are now revered, not only in the evolutionary story of British comedy, but also as an essential ingredient of cultural history. Derided for years for their low humor and conveyor-belt production values--30 films were churned out in just 21 years between 1958 and 1978--they now embody a cozy, innocent, and less sophisticated time. At the heart of their success are two vital ingredients: a virtual repertory company of Britain's finest post-war comic talents and quick-fire, innuendo-laden scripts which somehow become high-octane fuel for side-splitting laughter.

Public institutions, great historical figures, and established entertainment genres provided the main modus operandi, offering limitless potential for the films' staple themes of lust, adultery, and chicanery. Carry On Sergeant kicked off in 1958 with mainstay Charles Hawtrey. Later the same year in Carry On Nurse and in 1959's Carry On Teacher, the basic team quickly gelled with Joan Sims and Kenneth Williams making regular appearances. Leslie Phillips's insatiable predatory comic persona also figured large in these early films. Perhaps the first major milestone, though, came with the arrival of Sid James in 1960's Carry On Constable. With his trademark raucous laugh and a face like a wizened walnut, James would be a major factor in the ongoing success of the films, in which his leering, lascivious, and amoral character would vary only in name.

In 1962, Carry On Cruising marked the team's first foray into color. The following year, the films grew more adventurous and multilayered. Within their admittedly limited parameters, they did explore relationships and were surprisingly radical in their satirizing of women's roles. Hattie Jacques, for example, is best remembered for her fearsome matrons, but in Carry On Cabby (1963) she plays a downtrodden woman who hits back at husband Sid by forming her own taxi company. Carry On Jack (also 1963) found the team taking to the high seas in a Mutiny on the Bounty-style spoof starring Bernard Cribbins, but the next two films found the team at the real peak of its powers. Carry On Spying (1964) introduced Barbara Windsor's giggly buxom blond, a character who naturally fell hand in hand with James's aging Lothario in many of the subsequent films. In Carry On Cleo the same year, Amanda Barrie's deliciously frothy Egyptian queen and Kenneth Williams's saturnine Caesar set new heights for the series. The year 1965 brought Carry On Cowboy, featuring Joan Sims as a feisty saloon girl, while Carry On Screaming (1966) drove a comic stake through the heart of classic Hammer horror flicks.

Today, the Carry On films are seen as a vital component in the linear development of modern British comedy, influencing everything from French & Saunders to the surreal League of Gentlemen. In their time, they provided a much-needed big-screen vehicle for the greatest comic talents of the age. And today that vehicle has become a legacy of wonderful performances, many of them truly subtle. On that level alone, the Carry On films earn their status as a comic institution a hundred times over. --Piers Ford

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River of No Return

Actors: Robert Mitchum, Marilyn Monroe, Rory Calhoun, Tommy Rettig, Murvyn Vye
ASIN : B000FUH38C
Sales Rank : 6509
Director : Jean Negulesco, Otto Preminger
Studio : 20th Century Fox
Region Code : 1
Format : Widescreen, NTSC
Binding : DVD
EAN : 0024543261100
UPC : 024543261100
Release Date : December 14, 2002
Publisher : 20th Century Fox
Manufacturer : 20th Century Fox
Availability : Usually ships in 24 hours
Label : 20th Century Fox
Running Time : 95

Amazon.com

The dew of new stardom was still visible on Marilyn Monroe when she ventured up to Canada to shoot this sturdily entertaining CinemaScope Western. Although director Otto Preminger later claimed little interest in the picture, he couldn't help but bring his even-handed visual style to the widescreen process. The location shooting (in Alberta) is eye filling, and that river really does look alarming. Best of all, Marilyn, fresh and vital, had a costar to match her magnetism but not humor her sometimes-scattered approach to acting: Robert Mitchum, as a homesteader with a dark past. He's weighty enough to stand next to MM's bright flame without giving any ground; they should have worked together again. Since Marilyn plays a saloon singer, she gets to sling some tunes in her inimitable style, with as much glamour as the gold rush-era trappings will allow, giving "I'm Going to File My Claim" various meanings. --Robert Horton

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Duel in the Sun

Actors: Gregory Peck, Joseph Cotten, Jennifer Jones, Lionel Barrymore, Herbert Marshall
ASIN : B0001GF2HY
Sales Rank : 4867
Director : William Dieterle, Josef von Sternberg
Brand : TWENTIETH CENTURY FOX HOME ENT
Studio : MGM (Video & DVD)
Region Code : 1
Format : Color, DVD-Video, Full Screen, Subtitled, NTSC
Binding : DVD
EAN : 9780792860488
ISBN : 0792860489
UPC : 027616905741
Release Date : December 25, 2004
Publisher : MGM (Video & DVD)
Manufacturer : MGM (Video & DVD)
Availability : Usually ships in 24 hours
Label : MGM (Video & DVD)
Running Time : 129

Description

From the acclaimed producer of Gone With the Wind comes a torrid tale of passion and romancethat's loaded with "all the sweep and panache of a giant American action movie" (The New Yorker)! "Flawlessly cast" (The Film Daily) with a bevy of film legends, including Jennifer Jones, Gregory Peck, Joseph Cotten, Lionel Barrymore and Lillian Gish, this salacious saga is "virtuallyimpossible not to love" (The Hollywood Reporter)! When her father is hanged for murdering his wife, the stunning beauty Pearl (Jones) is taken in by a wealthy Texan, his wife and their two grown sons (Peck and Cotten). But Pearl soon becomes trapped in an emotional tug-of-war between her love for one son and her lust for the other, igniting the most tempestuous triangle the West has ever seen!

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Legendary producer David O. Selznick dreamed of another magnum opus like his 1939 production of Gone with the Wind; he also purposed to make Jennifer Jones, his ladylove and eventually second Mrs. Selznick, a megastar. Accordingly, he micromanaged the making of Duel in the Sun (Lust in the Dust to some), an extravagant Technicolor epic about the collision of the old West with the new, wide-open spaces with railroads and barbed wire, and hot-blooded outlaws with civilized folk, often wimpy or unwell. Beginning among giant rocks drenched in a blood-red sunset, with velvet-voiced Orson Welles intoning the leibestod legend of doomed Pearl Chavez and her demon lover, Duel never strays far from lush romanticism, spiced with a dash of S/M. Orphaned Pearl (Jones) comes to live at Spanish Bit Ranch, where frail Laura Belle McCanles (Lillian Gish) tries to make a lady of her, despite her questionable origins and insistent voluptuousness. Sexual license versus law--Pearl's choices--are symbolized by the McCanles brothers: dark, undisciplined Lewt (a lubriciously wicked Gregory Peck) and reasonable, forward-looking, repressed Jesse (Joseph Cotten). The cast is huge (Lionel Barrymore, Walter Huston, Harry Carey, Herbert Marshall, Charles Bickford, Butterfly McQueen) and there are unforgettable set pieces: summoned by a cacophony of bells, the gathering of McCanles cowboys from the four corners of the earth; Pearl in heat, clutching Lewt's leg and being dragged across the floor as he makes his getaway to Mexico; and the lovers' final shootout among those red rocks, as orgiastic a finale as you could ask for. --Kathleen Murphy

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The Cecil B. DeMille Collection (Cleopatra/ The Crusades/ Four Frightened People/ Sign of the Cross/ Union Pacific)

Actors: Cecil B. DeMille, Loretta Young, Henry Wilcoxon, Ian Keith, C. Aubrey Smith
ASIN : B000E8JO32
Sales Rank : 11584
Director : Lumsden Hare
Brand : Universal
Studio : Universal Studios
Region Code : 1
Format : Box set, Color, Dolby, DVD-Video, Full Screen, Subtitled, NTSC
Binding : DVD
EAN : 0025192948725
UPC : 025192948725
Release Date : December 23, 2006
Publisher : Universal Studios
Manufacturer : Universal Studios
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Label : Universal Studios
Running Time : 571

Description

Legendary filmmaker Cecil B. DeMille earned a place in cinematic history when he helped create Hollywood’s first feature-length film, an event that established Hollywood as the motion picture capital of the world. A master of spectacular epics, his films garnered unparalled acclaim for their scope and grandeur. Now, for the first time ever, five of his most popular films are available in one premium DVD collection. Experience the breathtaking dangers and delights of ancient Rome in The Sign of the Cross; trek through a perilous jungle with Four Frightened People; thrill to the passion, suspense and intrigue of Cleopatra; journey back in time with the glorious story of The Crusades; and see how the West was really won in the explosive Union Pacific. With a glamorous roster of screen legends, including Claudette Colbert, Charles Laughton, Barbara Stanwyck, Anthony Quinn and many more, this 5-disc collection is a phenomenal reminder of the innovator who made moviemaking what it is today.

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One of Hollywood's greatest showmen gets a worthy showcase in The Cecil B. De Mille Collection, consisting of five of the legendary producer-director's most characteristic films. As noted by David Thomson in his influential book A Biographical Dictionary of Film, "De Mille's movies are barnstormers, rooted in Victorian theatre, shamelessly stereotyped and sentimental, but eagerly courting 20th-century permissiveness, if only solemnly to condemn it." That's an apt description of the films included in this nicely packaged box set, which offers no extras beyond the films themselves. Thomson is equally accurate in calling De Mille's films "simple, raw, pious, and jingoistic," but as these five well-preserved films make abundantly clear, De Mille was always a consummate entertainer. One of Hollywood's foremost pioneers, De Mille cut an iconic figure, single-handedly defining the archetypal image of the dictatorial director, complete with boots, jodhpurs and an ever-present riding crop to enforce his domineering authority. After failed attempts to work independently and, later, for MGM, De Mille found a permanent home at Paramount in 1932, and it's there that he made these five films (now owned by Universal as part of their pre-1948 Paramount library), which represent the glorious clash of Christian virtues, epic-scale production values, lurid sexuality, and self-important grandiosity that make De Mille's films so curiously (and in many cases hypocritically) enthralling.

The Sign of the Cross (1932) is quintessential De Mille, now famous for its pre-Code (i.e. pre-censorship) scene of peep-show nudity as Claudette Colbert (playing Poppaea, wife of Charles Laughton's Roman emperor Nero) takes a tantalizing bath in goat's milk, daring DVD viewers to freeze-frame "the naughty bits" while Roman prefect Marcus (Frederic March) struggles to reconcile his loyalty to Rome with his forbidden love for the Christian maiden Mercia (Elissa Landi), who's destined for the lion's den. Full of outrageous spectacle (including dwarves in the Roman arena), this blood-and-guts epic is pure De Mille compared to the more conventionally formulaic adventure of Four Frightened People (1934), also starring Colbert as one of the four titular characters shipwrecked on a remote Malay island (filmed at Mauna Kea and Mauna Loa, in Hawaii) and forced to fend for themselves. It's a stodgy but frequently amusing adventure, with Colbert's uptight schoolmarm growing sexier and less inhibited with each passing scene. Colbert returns (De Mille obviously adored her) in the title role of Cleopatra (1934), easily seducing Marc Antony (played by De Mille favorite Henry Wilcoxon) in a film as lavishly appointed as it is melodramatically extreme. Wilcoxon pairs with Loretta Young in The Crusades (1935) with De Mille once again mixing piety with prurience in a religious epic that promises plenty of sex but, in classic De Mille fashion, remains steadfastly chaste. Union Pacific (from Hollywood's golden year of 1939) is a grandly entertaining Western that mangles history (specifically, events surrounding construction of the transcontinental railroad) while casting gunslingers Joel McCrea and Robert Preston in a contest for Barbara Stanwyck's affections.

Choosing a favorite among these five films is purely a matter of personal taste, but for all of his weaknesses as a director (not the least being a condescending and self-righteous arrogance toward his audience), De Mille was never, ever boring. These films helped to make Paramount the most profitable studio of the 1930s, and they hold up remarkably well. Despite the complete absence of bonus features (Universal once again taking the low-cost option with no-frills packaging), each film is presented in pristine or near-pristine condition, ripe for first-time viewing or nostalgic rediscovery by vintage film buffs everywhere.--Jeff Shannon

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James Cagney - The Signature Collection (The Bride Came C.O.D. / Captains of the Clouds / The Fighting 69th / Torrid Zone / The West Point Story)

Actors: James Cagney, Jimmy Cagney
ASIN : B000MTEFV4
Sales Rank : 25020
Brand : Warner Brothers
Studio : Warner Home Video
Region Code : 1
Format : Box set, Black & White, Closed-captioned, Full Screen, Subtitled, NTSC
Binding : DVD
EAN : 0085391137009
UPC : 085391137009
Release Date : December 24, 2007
Publisher : Warner Home Video
Manufacturer : Warner Home Video
Availability : Usually ships in 24 hours
Label : Warner Home Video
Running Time : 489

Description

Warner Home Video will honor one of America's greatest motion picture stars with the release of James Cagney: The Signature Collection. The OscarÂ® winning screen icon comes to life in this collection that includes five new-to-DVD films - The Bride Came C.O.D., Captain of the Clouds, The Fighting 69th, Torrid Zone and The West Point Story. Cagney's versatile talent is on display opposite a star-studded array of screen favorites including Bette Davis, Doris Day, Gordon MacRae, Virginia Mayo, Ann Sheridan and Pat O'Brien. Special features on each title in the Collection include the entertaining "Warner Night at the Movies" short subject galleries with vintage newsreels, vault treasures and classic cartoons.

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Spanning a lively decade in the career of one of Hollywood's greatest stars, The James Cagney Signature Collection highlights Cagney's versatility beyond the gangster roles he was best known for. You won't find any of Jimmy's hard-boiled classics in this five-disc set, but you'll find plenty to enjoy, with each film given the care and respect we've come to expect from Warner Bros.' archival DVD releases. From the World War I heroism of The Fighting 69th to the musical extravaganza The West Point Story, these five films represent fully one-third of Cagney's movie output from 1940 to 1950, and they're all above-average showcases for Cagney's enduring appeal. For sheer entertainment value, the best of the bunch is 1940's Torrid Zone, a still-delightful comedy teaming Jimmy with his best pal Pat O'Brien and Hollywood's "Oomph Girl," Ann Sheridan, in a savvy send-up of tropical adventure. Cagney loved working with O'Brien (who also costars in The Fighting 69th), and this collection also highlights Cagney's generous penchant for surrounding himself with some of Hollywood's best-loved character actors, like George Tobias, Alan Hale (Sr. and Jr.), George Brent, and others. And while 1941's The Bride Came C.O.D. teamed Cagney and Bette Davis for the second and final time (resulting in a breezy comedy that shows both stars at their most endearing), 1942's Captains of the Clouds is a standard-yet-sturdy example of Hollywood's wartime patriotism, with Cagney (in his first Technicolor feature) as a seasoned pilot recruited into the Royal Canadian Air Force. The latest film in this batch, 1950's The West Point Story, was conspicuously promoted to capitalize on Cagney's Oscar-winning role in 1942's Yankee Doodle Dandy, and while it's the most dated movie in this set, it's still got plenty to offer in terms of Cagney's unique style of showmanship.

As with previous Signature Collections, Warner Bros. has done a spectacular job of bringing these films to DVD. Picture and sound quality are uniformly superb throughout, and each film is accompanied by a variety of "Night at the Movies" short subjects, specifically organized to approximate the experience of seeing these films in their original theatrical context. Vintage newsreels, Warner Bros. cartoons (both "Looney Tunes" and/or "Merrie Melodies"), documentary shorts, and movie trailers are all included here, some seen for the first time in decades and chronologically corresponding to the feature presentation. No other studio cares for its library as passionately as Warner Bros., and The James Cagney Signature Collection is further proof that there's a wide and appreciative audience for DVD sets that showcase great stars while honoring Hollywood's history and the nostalgic pleasure of "a night at the movies." --Jeff Shannon

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