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List Price: $29.98Price: $24.99You Save: $4.99 (17%)
Will & Grace - Season Six
Actors: Eric McCormack, Debra Messing, Megan Mullally, Sean Hayes, Shelley Morrison
ASIN : B000NA78SE
Sales Rank : 2780
Director : James Burrows
Brand : Lions Gate
Studio : Lions Gate
Region Code : 1
Format : Box set, Color, Dolby
Binding : DVD
EAN : 0031398212553
UPC : 031398212553
Release Date : December 01, 2007
Publisher : Lions Gate
Manufacturer : Lions Gate
Availability : Usually ships in 24 hours
Label : Lions Gate
Running Time : 500
DescriptionThe unique relationship between Will Truman and Grace Adler continues to evolve this season in the adult comedy about two best friends - Will who is gay and Grace who is straight. Contains the complete sixth season. Amazon.com The year 2004 marked the end of Sex and the City, Friends, and Frasier, leaving Will & Grace to carry the torch as TV's reigning urbane sitcom, deftly balancing physical comedy with a sparkling wit that made even the crudest oral-sex double entendres sound like Oscar Wilde. But it's always a red flag when a long-running series flirts with the meta side. In the episode, "No Sex 'N' the City," Karen (Megan Mullally) and Jack (Sean Hayes) encounter Frasier's Bebe Neuwirth. "Talk like Lilith," Karen beseeches her. "We hate your real voice." "I will if you will," Neuwirth replies, to "ooohs" from the studio audience. On the whole, the A-list guest stars that appeared as themselves this season (Jennifer Lopez, James Earl Jones, Barry Manilow, and medium John Edwards) do not fare as well as those who portrayed characters. John Cleese received an Emmy nomination as Lyle Finster, the father of Karen's former rival, Lorraine (a saucy Minnie Driver). Their loony courtship provides the season with one of its most rewarding story arcs. Edie Falco (The Sopranos) and Chloe Sevigny (Boys Don't Cry) appear in "East Side Story" as intimidating lesbians who engage in a turf war with budding "apartment flippers" Will (Eric McCormack) and Grace (Debra Messing). Mira Sorvino (Mighty Aphrodite) appears in "Last Ex to Brooklyn" as the only girl with whom gay Will had sex. Geena Davis (A League of Their Own is at her endearing best as Grace's flaky, free-loading sister in "The Accidental Tsuris." But the Emmy-winning, lightning-in-a-bottle ensemble need no reflected star power to shine. "Strangers with Candice," which unfolds during an eventful evening out, is Will & Grace's version of the classic Seinfeld episode "The Chinese Restaurant." Over the course of a dinner, a stood-up Will has a "date" with an unsuspecting female patron, Grace hooks up with a former fling, and Karen engages in a prank war with her "nemesis/best friend," Candice Bergen (Boston Legal). The sixth season is something of a Grace-less one, as Messing was pregnant and missing in action in several episodes. But the remaining trio picks up the slack with rich storylines of their own. In addition to Karen's courtship, Jack becomes a student nurse and gets a new boyfriend (Dave Foley of NewsRadio and Kids in the Hall), and Will meets his future life partner, Vince (Bobby Cannavale), a policeman. As for Grace, her rocky marriage to Leo (odd man out Harry Connick Jr.) gets the season-finale-cliffhanger treatment. Will & Grace's ensemble got along famously, which makes their outtakes, included here as a special feature, particularly fun. Also included with this set is just over a half-hour of themed montages ranging from "Fashion Quips" to "Pop Goes the Culture." --Donald Liebenson
Reviews for the Will & Grace - Season Six
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Alfred Hitchcock - The Masterpiece Collection (Psycho / Vertigo / Rear Window / The Birds / Shadow of a Doubt / Family Plot / Frenzy / The Man Who Knew Too Much / Marnie / Rope / Saboteur / Topaz / Torn Curtain / The Trouble with Harry)
Actors: Anthony Perkins, Janet Leigh, James Stewart, Grace Kelly, Kim Novak
ASIN : B000A1INJE
Sales Rank : 1826
Director : Alfred Hitchcock
Brand : Universal
Studio : Universal Studios Home Entertainment
Region Code : 1
Format : Box set, Color, NTSC, Closed-captioned
Binding : DVD
EAN : 9781417059164
ISBN : 1417059168
UPC : 025192834622
Release Date : December 04, 2005
Publisher : Universal Studios Home Entertainment
Manufacturer : Universal Studios Home Entertainment
Availability : Usually ships in 24 hours
Label : Universal Studios Home Entertainment
Running Time : 840
Description14 of the finest works from the universally acclaimed Master of Suspense come together for the first time in one collection. These captivating landmark films boast three decades of Hollywood legends, including James Stewart, Grace Kelly, Anthony Perkins, Sean Connery and Doris Day. The premium packaging and collectible book make Alfred Hitchcock: The Masterpiece Collection the must-own, definitive anthology of gripping works by a true genius. Amazon.comMasterpiece indeed. With 14 films, each supplemented with numerous documentaries, commentaries, and other bonus materials, Alfred Hitchcock - The Masterpiece Collection will be the cornerstone for any serious DVD library. Packaged in a beautiful, conversation-starting velvet box, the individual discs inside come four to a case, decorated with original poster art. No doubt opinionated fans will argue about what should fall under the rubric of "masterpiece" in Hitchcock's body of work, but with the bona fide classics Vertigo, Psycho, and The Man Who Knew Too Much, there's plenty of timeless movie magic here. Eye-popping transfers and gorgeous sound make this set one of the must-have releases of the year. Should the Hitchcock fan have the energy for more after imbibing on the movies themselves, a bonus disc provides additional documentaries. These include a revealing interview in which the master of suspense discusses, among other things, how much he dislikes working with method actors, going so far as to name names (we're talking about you, Jimmy Stewart and Montgomery Clift). In an American Film Institute lifetime achievement ceremony, the master of suspense is praised by the likes of Stewart and Ingrid Bergman, and seems to be suffering from severe boredom as celebrities pile on the flattery. Then Hitchcock opens his mouth to accept the award, delivering an endlessly witty stream of perfect bon mots that prove once again that he was a master of high comedy as well. Revealing documentaries about the making of Psycho and The Birds round out the feast of extras. The 36-page booklet, filled mostly with stills and poster art, provides little new information about the films.--Ryan Boudinot Films Included in Alfred Hitchcock - The Masterpiece Collection Saboteur Robert Cummings stars as Barry Kane, a patriotic munitions worker who is falsely accused of sabotage, in this wartime thriller from Alfred Hitchcock. Plastered across the front page of every newspaper and hated by the nation, Kane's only hope of clearing his name is to find the real villain. The script as a whole is a clever one--Algonquin wit Dorothy Parker shares a screenwriting credit, and her trademark zingers make for a terrific mix of humor and suspense. Saboteur is a pleasure whether you're a die-hard Hitchcock fan or just someone who likes a good nail-biter. --Ali Davis Shadow of a Doubt Alfred Hitchcock considered this 1943 thriller to be his personal favorite among his own films, and although it's not as popular as some of Hitchcock's later work, it's certainly worthy of the master's admiration. Scripted by playwright Thornton Wilder and inspired by the actual case of a 1920's serial killer known as "The Merry Widow Murderer," the movie sets a tone of menace and fear by introducing a psychotic killer into the small-town comforts of Santa Rosa, California. Through narrow escapes and a climactic scene aboard a speeding train, this witty thriller strips away the façade of small-town tranquility to reveal evil where it's least expected. And, of course, it's all done in pure Hitchcockian style. --Jeff Shannon Rope An experimental film masquerading as a standard Hollywood thriller, Rope is simple and based on a successful stage play: two young men (John Dall and Farley Granger) commit murder, more or less as an intellectual exercise. They hide the body in their large apartment, then throw a dinner party. Will the body be discovered? Director Alfred Hitchcock, fascinated by the possibilities of the long-take style, decided to shoot this story as though it were happening in one long, uninterrupted shot. Since the camera can only hold one 10-minute reel at a time, Hitchcock had to be creative when it came time to change reels, disguising the switches as the camera passed behind someone's back or moved behind a lamp. James Stewart, as a suspicious professor, marks his first starring role for Hitchcock, a collaboration that would lead to the masterpieces Rear Window and Vertigo. --Robert Horton Rear Window Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder. At deeper levels, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland The Trouble with Harry A busman's holiday for Alfred Hitchcock, this 1955 black comedy concerns a pesky corpse that becomes a problem for a quiet, Vermont neighborhood. Shirley MacLaine makes her film debut as one of several characters who keep burying the body and finding it unburied again. Hitchcock clearly enjoys conjuring the autumnal look and feel of the story, and he establishes an important, first-time alliance with composer Bernard Herrmann, whose music proved vital to the director's next half-dozen or so films. But for now, The Trouble with Harry is a lark, the mischievous side of Hitchcock given free reign. --Tom Keogh The Man Who Knew Too Much Alfred Hitchcock's 1956 remake of his own 1934 spy thriller is an exciting event in its own right, with several justifiably famous sequences. James Stewart and Doris Day play American tourists who discover more than they wanted to know about an assassination plot. When their son is kidnapped to keep them quiet, they are caught between concern for him and the terrible secret they hold. When asked about the difference between this version of the story and the one he made 22 years earlier, Hitchcock always said the first was the work of a talented amateur while the second was the act of a seasoned professional. Indeed, several extraordinary moments in this update represent consummate filmmaking, particularly a relentlessly exciting Albert Hall scene, with a blaring symphony, an assassin's gun, and Doris Day's scream. The Man Who Knew Too Muchis the work of a master in his prime. --Tom Keogh Vertigo Although it wasn't a box-office success when originally released in 1958, Vertigo has since taken its deserved place as Alfred Hitchcock's greatest, most spellbinding, most deeply personal achievement. James Stewart plays a retired police detective who is hired by an old friend to follow his wife (a superb Kim Novak, in what becomes a double role), whom he suspects of being possessed by the spirit of a dead madwoman. Shot around San Francisco (the Golden Gate Bridge and the Palace of the Legion of Honor are significant locations) and elsewhere in Northern California (the redwoods, Mission San Juan Batista) in rapturous Technicolor, Vertigo is as lovely as it is haunting. --Jim Emerson Psycho For all the slasher pictures that have ripped off Psycho (and particularly its classic set piece, the "shower scene"), nothing has ever matched the impact of the real thing. More than just a first-rate shocker full of thrills and suspense, Psycho is also an engrossing character study in which director Alfred Hitchcock skillfully seduces you into identifying with the main characters--then pulls the rug (or the bathmat) out from under you. Anthony Perkins is unforgettable as Norman Bates, the mama's boy proprietor of the Bates Motel; and so is Janet Leigh as Marion Crane, who makes an impulsive decision and becomes a fugitive from the law, hiding out at Norman's roadside inn for one fateful night. --Jim Emerson The Birds Vacationing in northern California, Alfred Hitchcock was struck by a story in a Santa Cruz newspaper: "Seabird Invasion Hits Coastal Homes." From this peculiar incident, and his memory of a short story by Daphne du Maurier, the master of suspense created one of his strangest and most terrifying films. The Birds follows a chic blonde, Melanie Daniels (Tippi Hedren), as she travels to the coastal town of Bodega Bay to hook up with a rugged fellow (Rod Taylor) she's only just met. Before long the town is attacked by marauding birds, and Hitchcock's skill at staging action is brought to the fore. Beyond the superb effects, however, The Birds is also one of Hitchcock's most psychologically complicated scenarios, a tense study of violence, loneliness, and complacency. What really gets under your skin are not the bird skirmishes but the anxiety and the eerie quiet between attacks. Treated with scant attention by serious critics in 1963, The Birds has grown into a classic and--despite the sci-fi trappings--one of Hitchcock's most serious films. --Robert Horton Marnie Sean Connery, fresh from the second Bond picture, From Russia with Love, is a Philadelphia playboy who begins to fall for Tippi Hedren's blonde ice goddess only when he realizes that she's a professional thief; she's come to work in his upper-crust insurance office in order to embezzle mass quantities. His patient program of investigation and surveillance has a creepy, voyeuristic quality that's pure Hitchcock, but all's lost when it emerges that the root of Marnie's problem is phobic sexual frigidity, induced by a childhood trauma. Luckily, Sean is up to the challenge. As it were. Not even D.H. Lawrence believed as fervently as Hitchcock in the curative properties of sexual release. --David Chute Torn Curtain Paul Newman and Julie Andrews star in what must unfortunately be called one of Alfred Hitchcock's lesser efforts. Still, sub-par Hitchcock is better than a lot of what's out there, and this one is well worth a look. Newman plays cold war physicist Michael Armstrong, while Andrews plays his lovely assistant-and-fiancée, Sarah Sherman. Armstrong has been working on a missile defense system that will "make nuclear defense obsolete," and naturally both sides are very interested. All Sarah cares about is the fact that Michael has been acting awfully fishy lately. The suspense of Torn Curtain is by nature not as thrilling as that in the average Hitchcock film--much of it involves sitting still and wondering if the bad guys are getting closer. Still, Hitchcock manages to amuse himself: there is some beautifully clever camera work and an excruciating sequence that illustrates the frequent Hitchcock point that death is not a tidy business. --Ali Davis Topaz Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh Frenzy Alfred Hitchcock's penultimate film, written by Anthony Shaffer (who also wrote Sleuth), this delightfully grisly little tale features an all-British cast minus star wattage, which may have accounted for its relatively slim showing in the States. Jon Finch plays a down-on-his-luck Londoner who is offered some help by an old pal (Barry Foster). In fact, Foster is a serial killer the police have been chasing--and he's framing Finch. Which leads to a classic Hitchcock situation: a guiltless man is forced to prove his innocence while eluding Scotland Yard at the same time. Spiked with Hitchcock's trademark dark humor, Frenzy also features a very funny subplot about the Scotland Yard investigator (Alec McCowen) in charge of the case, who must endure meals by a wife (Vivien Merchant) who is taking a gourmet-cooking class. --Marshall Fine Family Plot Alfred Hitchcock's final film is understated comic fun that mixes suspense with deft humor, thanks to a solid cast. The plot centers on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance. --Marshall Fine
Reviews for the Alfred Hitchcock - The Masterpiece Collection (Psycho / Vertigo / Rear Window / The Birds / Shadow of a Doubt / Family Plot / Frenzy / The Man Who Knew Too Much / Marnie / Rope / Saboteur / Topaz / Torn Curtain / The Trouble with Harry)
List Price: $39.98Price: $21.99You Save: $17.99 (45%)
The Simpsons - The Complete Sixth Season
Actors: Dan Castellaneta, Nancy Cartwright, Doris Grau, Julie Kavner, Yeardley Smith
ASIN : B0009NZ2VU
Sales Rank : 3221
Director : Bob Anderson, David Silverman, Jeffrey Lynch, Jim Reardon, Mark Kirkland
Brand : SIMPSONS
Studio : 20th Century Fox
Region Code : 1
Format : Animated, Box set, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, Full Screen, Subtitled, NTSC
Binding : DVD
EAN : 0024543136538
UPC : 024543136538
Release Date : December 16, 2005
Publisher : 20th Century Fox
Manufacturer : 20th Century Fox
Availability : Usually ships in 24 hours
Label : 20th Century Fox
Running Time : 565
Description"THE SIMPSONS" THE COMPLETE SIXTH SEASON DVD COLLECTION arrives on August 16, 2005 from Fox Home Entertainment. Showcasing all 25 episodes from the acclaimed sixth season, including Part One of the season cliffhanger "Who Shot Mr. Burns?," Amazon.comThe classic to clunker ratio is still extraordinarily high, though The Simpsons' sixth season could give some devoted viewers pause. The show that takes cheeky delight in mooning television convention gives us "Another Simpsons Clip Show" and its first season-ending cliffhanger, "Who Shot Mr. Burns?" And, as does Bart in "A Star Is Burns," we should all feel a little dirty at the "cheap cartoon crossover" appearance of Jay Sherman (Jon Lovitz), designed to give a boost to the ill-fated animated series The Critic. But this is just beard-stroking tongue-clucking regarding a season that delivered episodes that rank in the hallowed The Simpsons pantheon, among them, "Homer Badman," in which lust for a gummy Venus de Milo, peeled from the behind of an unwitting babysitter, makes Homer the object of feminist protest and tabloid TV fodder, and "Homer the Great," in which Homer is discovered to be the Chosen One to lead the secret society, "The Stonecutters" ("Who holds back the electric car/Who made Steve Guttenberg a star?/We do!"). Several episodes take their inspiration from classic films and books: Hitchcock's Rear Window ("Bart of Darkness"); Michael Crichton's Westworld and Jurassic Park ("Itchy and Scratchy Land"); and Stephen King and Ray Bradbury ("Treehouse of Horror V"). This season's roster of guest voices is also especially impressive, including Winona Ryder as "Lisa's Rival," Meryl Streep as Rev. Lovejoy's bad-seed daughter ("She's like a Milk Dud," a smitten Bart laments. "Sweet on the outside, poison on the inside"), the late Anne Bancroft in "Fear of Flying"; Patrick Stewart in "Homer the Great"; Mel Brooks and Susan Sarandon in "Homer vs. Patty and Selma," and Mandy Patinkin as Lisa's future fiancée in the surprisingly moving "Lisa's Wedding." There has, of late, been a feud a-brewin' between fans of The Simpsons and Family Guy. Which show is funnier? Has The Simpsons lost it? Is Family Guy a Simpsons-wannabe? Hey; Can't we all just laugh along? Best to just marvel at another exemplary Simpsons season that, to quote Homer in "Lisa's Rival," delivers it all: "The terrifying lows, the dizzying highs, the creamy middles." --Donald Liebenson
Reviews for the The Simpsons - The Complete Sixth Season
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Criminal Minds - The First Season
Actors: Thomas Gibson, Shemar Moore, Matthew Gray Gubler, A.J. Cook, Kirsten Vangsness
ASIN : B000ION72Q
Sales Rank : 1320
Director : Adam Davidson, Andy Wolk, Charles Haid, Chris Long, Edward Allen Bernero
Brand : Paramount
Studio : CBS DVD/Paramount
Region Code : 1
Format : Box set, Color, Dolby, DVD-Video, Widescreen, NTSC
Binding : DVD
EAN : 0097368716049
UPC : 097368716049
Release Date : December 28, 2006
Publisher : CBS DVD/Paramount
Manufacturer : CBS DVD/Paramount
Availability : Usually ships in 7 to 11 days
Label : CBS DVD/Paramount
Running Time : 955
DescriptionCriminal Minds revolves around an elite team of FBI profilers who analyze the country's most twisted criminal minds, anticipating their next moves before they strike again. Amazon.comViewers who feel they may have been C.S.I.'d, S.V.U.'d, or NCIS'd to death, should really keep an open mind concerning Criminal Minds, because this compelling procedural crime series brings fascinating new facets to this crowded genre. The always galvanizing Mandy Patinkin (Chicago Hope) makes a welcome return to the small screen as Jason Gideon, head of the FBI's Behavioral Analysis Unit, and sage mentor to his elite team of profilers, including compassionate Aaron Hotchner (Thomas Gibson, of Dharma & Greg), Lola Gladini as sex-crimes expert Elle Greenway (since departed from the series), live-wire hunk Derek Morgan (Shemar Moore), and genius-geek Spencer Reid (Matthew Gray Gubler), who actually looks creepier than many of the perpetrators that the team races against time to apprehend. Before they can do that, they must establish psychological profiles of the criminals and think as they do. Given they have handles such as the "Seattle Strangler" and the "Keystone Killer," this can be psychologically taxing (in one episode, Spencer confides to Derek that the job is giving him nightmares). While cliffhangers frame this inaugural season, each episode (except the season finale) wraps up its cases in the allotted hour. In addition to serial killers, the series unleashes a gallery of twisted and depraved specimens. "Trust me," Derek comments early on, "we cover the whole spectrum of psychos." This includes arsonists, rapists, child abductors, and even a cannibalistic killer. Anchoring the proceedings is Patinkin, who exudes authoritative gravitas, and who is always good for scenery feasting. He really comes to life when killers have Gideon at gunpoint and he taunts them into losing their already unsteady grip. Most episodes feature the voiceover of a team member reciting a pertinent quote from such varied sources as W.H. Auden ("Evil is always human") to actor Peter Ustinov, a literary conceit that could stand to be retired. Stylistic flourishes in the editing and camerawork are likewise more of a distraction when the cases themselves are so gripping, given that the victims are primarily women and children. "There's nothing I would rather do than put the bastards away," Greenway states at one point. And there's nothing we'd rather do than watch them do it, which has made Criminal Minds, initially Lost opposite that ratings juggernaut, one of television's solid hits. --Donald Liebenson
Reviews for the Criminal Minds - The First Season
List Price: $59.98Price: $34.99You Save: $24.99 (42%)
Battlestar Galactica - Season One
Actors: Edward James Olmos, Jamie Bamber
ASIN : B000AJJNFE
Sales Rank : 548
Director : Edward James Olmos
Brand : Universal
Studio : Sci-Fi Channel, The
Region Code : 1
Format : Box set, Closed-captioned, Color, Dolby, DVD-Video, Widescreen, NTSC
Binding : DVD
EAN : 9781417054060
ISBN : 1417054069
UPC : 025192792823
Number Of Discs : 5
Release Date : December 20, 2005
Publisher : Sci-Fi Channel, The
Manufacturer : Sci-Fi Channel, The
Availability : Usually ships in 24 hours
Label : Sci-Fi Channel, The
Running Time : 756
Product DescriptionStudio: Uni Dist Corp. (mca) Release Date: 09/20/2005 Amazon.comBattlestar Galactica's Edward James Olmos wasn't kidding when he said "the series is even better than the miniseries." As developed by sci-fi TV veteran Ronald D. Moore, the "reimagined" BG is exactly what it claims to be: a drama for grown-ups in a science-fiction setting. The mature intelligence of the series is its greatest asset, from the tenuous respect between Galactica's militarily principled commander Adama (Olmos) and politically astute President Roslin (Mary McDonnell) to the barely suppressed passion between ace Viper pilot "Apollo" (a.k.a. Adama's son Lee, played by Jamie Bamber) and the brashly insubordinate Starbuck (Katee Sackhoff), whose multifaceted character is just one of many first-season highlights. Picking up where the miniseries ended (it's included here, sparing the need for separate purchase), season 1 opens with the riveting, Hugo Award-winning episode "33," in which Galactica and the "ragtag fleet" of colonial survivors begin their quest for the legendary 13th colony planet Earth, while being pursued with clockwork regularity by the Cylons, who've now occupied the colonial planet of Caprica. The fleet's hard-fought survival forms (1) the primary side of the series' three-part structure, shared with (2) the apparent psychosis of Dr. Gaius Baltar (James Callis) whose every thought and move are monitored by various incarnations of Number Six (Tricia Helfer), the seemingly omniscient Cylon ultravixen who follows a master plan somehow connected to (3) the Caprican survival ordeal of crash-landed pilots "Helo" (Tahmoh Penikett) and "Boomer" (Grace Park), whose simultaneous presence on Galactica is further evidence that 12 multicopied models of Cylons, in human form, are gathering their forces. With remarkably consistent quality, each of these 13 episodes deepens the dynamics of these fascinating characters and suspenseful situations. While BG relies on finely nuanced performances, solid direction, and satisfying personal and political drama to build its strong emotional foundation, the action/adventure elements are equally impressive, especially in "The Hand of God," a pivotal episode in which the show's dazzling visual effects get a particularly impressive showcase. Original BG series star Richard Hatch appears in two politically charged episodes (he's a better actor now, too), and with the threat of civil war among the fleet, season 1 ends with an exceptional cliffhanger that's totally unexpected while connecting the plot threads of all preceding episodes. To the credit of everyone involved, this is frackin' good television. DVD features The fifth disc in Battlestar Galactica's season 1 set is highlighted by eight comprehensive featurettes covering all aspects of the series, from its miniseries origins to standard surveys of production design, visual effects, and particulars of plot and character. For hardcore fans and anyone interested in TV production, nine out of 13 episodes, plus the disc 1 miniseries, are accompanied by intelligent and informative commentary originally provided as BG website podcasts, mostly by series developer and writer Ronald D. Moore, who provides tantalizing clues about developments in season 2. The "Series Lowdown" is a cast-and-crew promotional program originally broadcast to attract SciFi Channel viewers who were initially reluctant to embrace a "reimagined" Battlestar Galactica. The strategy worked: First-season ratings left no doubt that the new BG was as good as--and in many ways better than--the original. --Jeff Shannon
Reviews for the Battlestar Galactica - Season One
List Price: $69.98Price: $51.99You Save: $17.99 (26%)
Saturday Night Live - The Complete Third Season
Actors: Robert Klein, Bonnie Raitt, Dan Aykroyd, John Belushi, Jane Curtin
ASIN : B0013LRKQC
Sales Rank : 4157
Director : Aviva Slesin, Christopher Guest, Claude Kerven, Dave Wilson, James Signorelli
Brand : Universal
Studio : Universal Studios
Region Code : 1
Format : Box set, Color, Dolby, DVD-Video, Full Screen, Limited Edition, Subtitled, NTSC
Binding : DVD
EAN : 0025195034739
UPC : 025195034739
Release Date : December 13, 2008
Publisher : Universal Studios
Manufacturer : Universal Studios
Availability : Usually ships in 24 hours
Label : Universal Studios
Running Time : 1353
DescriptionContinuing the enormous success of the previous two years, the third season of SNL (1977-78) showcased a fearless cast that created some of the most memorable sketches to ever appear on the show. With hilarious breakthrough characters like The Nerds (Bill Murray and Gilda Radner), Coneheads (Dan Aykroyd and Jane Curtin), lounge singer Nick Winters (Bill Murray), Samurai Warrior (John Belushi), a singing King Tut (legendary SNL host Steve Martin) and featuring Father Guido Sarducci (Don Novello) as well as "The Franken and Davis Show" (Al Franken and Tom Davis), SNL continued to define itself as the pinnacle of irreverent humor and political satire. The complete third season of SNL contains unforgettable appearances by hosts Steve Martin, Michael Palin, Hugh Hefner, Buck Henry, Robert Klein, Chevy Chase, Madeline Kahn, Richard Dreyfuss, O.J. Simpson and the winner of the "Anyone Can Host" contest, Miskel Spillman, and classic musical performances by Elvis Costello, Billy Joel, Ray Charles, Leon Redbone, Willie Nelson, Bonnie Raitt, Jackson Browne, Ashford & Simpson, Meat Loaf and The Blues Brothers. Amazon.comTelevision history continued to be written in the third year of Saturday Night Live. After a wobbly debut in SNL's second season, Bill Murray got some traction as a performer and America began to see just how brilliant a comedian he truly could be. Dan Aykroyd owned Jimmy Carter with his extraordinary impression of the late-1970s president, and he partnered with Steve Martin three times in Festrunk Brothers sketches featuring the "wild and crazy" Czech siblings looking for a "swinging" time with American "foxes." John Belushi mined familiar territory with his image as a brash reprobate, Jane Curtin (with Aykroyd) made "Weekend Update" her own, and Garrett Morris remained a rock-steady second banana. Laraine Newman proved, as always, to be the cast's chameleon-like wild card, capable of anything. As for Gilda Radner, her luminous charm and gifts in the classic television comedienne tradition balanced the show's steep irony with pure mirth. There is so much to talk about when listing highlights of Saturday Night Live: The Complete Third Season. The attention-grabbing "Anyone Can Host" contest was a cute stunt that resulted in SNL's Christmas episode being officially hosted by 80-year-old Miskell Spillman, a non-celebrity. Spillman proved game enough to pull off an opening monologue (with Buck Henry) and participate in several sketches. But the truly notable event in that December 17, 1977 program was the first appearance of Elvis Costello (replacing the previously-announced Sex Pistols), who underscored the dangers of live television by interrupting his own performance of "Less Than Zero" and instructing his band, the Attractions, to play "Radio Radio" instead. (For a moment, no one watching could have predicted what was about to happen--whether benign or bizarre.) Also of significance to longtime viewers of SNL was the return of Chevy Chase (on 2/18/78), the show's first breakout star who left the series early in season two, as host. By now, the story of Chase's backstage brawl with Murray just before showtime that night is legend, and it's easy to see how flustered Chase looked in a clunky opening monologue. (He recovers sufficiently for some fine sketchwork and a cameo appearance harassing Curtin on "Update.") Andy Kaufman did one of his best bits portraying a non-English-speaking comic who plays drums and drags a woman out of the audience for a nonsensical sight gag. The Coneheads (Aykroyd, Curtin, Newman) return in a very funny "Family Feud" piece, while Al Franken and Tom Davis continue to have an impact with a sketch that finds Franken attacking his own parents. Belushi mixes pop culture influences in a big way in "Samurai Night Fever." Hosting three times, Steve Martin makes as huge an impression on season three as anyone, introducing his musical novelty number "King Tut" and playing a lonely lover in a wistful-slapstick sketch in which he dances with Radner. The overall slate of musical guests is good though not great, and except for Costello, Randy Newman, Keith Jarrett, and Paul Simon, the artists tend toward middle-of-the-road. Besides Martin, there are a few other strong hosts, including Buck Henry and a magnificent Michael Palin, who opens his show by dumping a plate of seafood and two cats down his pants. Faring less well as hosts are O.J. Simpson, Hugh Hefner, and Michael Sarrazin. As always, there are hits and misses over the course of another sprawling season of Saturday Night Live. --Tom Keogh
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