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The Naked Kiss

New Price: $26.00

The Naked Kiss

Actors: Constance Towers, Anthony Eisley, Michael Dante, Virginia Grey, Patsy Kelly
ASIN : 6305909733
Sales Rank : 119643
Director : Samuel Fuller
Studio : Vci Video
Region Code : 1
Format : Black & White, DVD-Video, NTSC
Binding : DVD
EAN : 9786305909736
ISBN : 6305909733
UPC : 089859823725
Release Date : December 24, 2003
Publisher : Vci Video
Manufacturer : Vci Video
Label : Vci Video
Running Time : 93

Amazon.com Review

Until Sam Fuller came along, movies in the 1960s were still bound by Hollywood's self-imposed and often hypocritical rules of discretion. The crimes and misdemeanors of lurid pulp fiction remained on drugstore spin-racks and newsstands, diluted on screen until Fuller, with his cigar-chomping audacity and confrontational style, liberated movies from artificial restraint and kicked them into the meaner, darker, but more honest maturity of the post-Kennedy era. Shock Corridor announced Fuller's brazen agenda a year earlier, but The Naked Kiss is even more astonishing because its trashy, provocative plot dares to find depth and humanity beneath the hardened shells of corrupted souls.

The film begins like no other before it: Kelly (Constance Towers) beats her pimp with a handbag, grabs the cash he owes her, adjusts her telltale wig and makeup, and sets out to begin life anew, free from the shame of prostitution. Two years later she's in Grantville, a typically Rockwellian slice of Americana, working wonders with disabled kids and gaining distance from her miserable past. She's even engaged to the town's most respected citizen, but dark clouds are gathering: a corrupt cop knows Kelly's hidden secrets; a nearby brothel taints the community; and a pedophile is lurking in the shadows. Through it all, Fuller calibrates The Naked Kiss with such precision that sentiment and sordidness can run parallel without colliding, shifting from outrageous vice to shameless tear-jerking with equal facility. With twisted tricks up his sleeve, Fuller can be accused of tabloid tackiness, but that would be missing the point: In Fuller's cruel and ugly world, compassion still finds a way to survive. --Jeff Shannon

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Heat

New Price: $7.59

Heat

Actors: Sylvia Miles, Joe Dallesandro, Andrea Feldman, Pat Ast, Ray Vestal
ASIN : 6305186561
Sales Rank : 127801
Director : Paul Morrissey
Studio : Image Entertainment
Region Code : 0
Format : Color, DVD-Video, NTSC
Binding : DVD
EAN : 9786305186564
ISBN : 6305186561
UPC : 014381473025
Release Date : December 01, 1998
Publisher : Image Entertainment
Manufacturer : Image Entertainment
Label : Image Entertainment
Running Time : 100

Description

Sylvia Miles is a fading, practically unknown star, given to game shows, TV movies and studs. Joe Dallesandro is a one-time child actor who lives in a sunbaked motel, where the obese landlady gives cut rates for service and complains about the star's freaked-out daughter, who lives with baby and lesbian love in a suite. High comedy and low tragedy... [with] a gifted and offbeat cast.--Judith Crist, New York Magazine. Written & directed by Paul Morrissey, "presented" by Andy Warhol.

Amazon.com

The 1971 Heat was an early entry in filmmaker Paul Morrissey's tenure as the official director of movies coming out of Andy Warhol's so-called Factory. (Morrissey took the reins from Warhol himself, after the artist had made a number of celebrated underground films.) Factory star Joe Dallesandro plays the William Holden part in what is essentially an unofficial remake of Billy Wilder's Sunset Boulevard. As a former child star named Little Joe, Dallesandro's on-the-skids actor is bedding anyone who he thinks can help his career. Going nowhere, he becomes involved with an aging former star (Sylvia Miles), and while their relationship doesn't do much for his aspirations it contributes to Morrissey's unvarnished portrait of Hollywood hustling that certainly falls below the radar of Wilder's classic. Not a great film but a distinctive and memorable one, Heat extends Morrissey's fascination with the tawdry and humiliating fate of most big dreams, and is more poignant than most of the director's later work. --Tom Keogh

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